My first day in Iceland began at 6:30 am. The pale sun, hanging at about twenty degrees on the horizon, struggled through a dense layer of gray cloud. As the plane taxied to the gate I saw Iron Maiden's 757 jet parked at the terminal, a fact that, while not of any interest beyond this sentence, I think bears mentioning. What also bears mentioning is that, due to the arctic latitude, the sky remained more or less the same the entire time.
I'd arranged a place to stay through couchsurfing.org, and my host, Olafur, met me at the main bus terminal, the BSI. The airport, for some reason, is a forty-five minute drive from town. This is not because, as in other cities, the airport must be located on the other side of the inevitable suburban sprawl of the city. There is nothing, and I mean really, seriously, fuck all, between the airport and Reykjavik, except for some cracked volcanic rock and fields of purple flowers. It costs about 17 dollars for the bus ride, which is reasonable considering you have absolutely no other choice but to take the bus. From the bus terminal we walked through the center of town to the bus stop to get to my host's place, and he left me to my own devices with his house keys while he went off to work researching, among other things, 18th Century Icelandic baby-daddy disputes. I immediately ransacked his apartment and ran off with all his valuables after smearing poo all over the walls. Wait, I mean I took a quick rest and went out to test my ability to remember where I am and how to get back to where I was before.
Previous couchsurfers (If you don't understand what I am talking about, click on that link up there and have a look around that website until you figure it out. I don't have time to explain it right now, as I am trying to tell you about Iceland.) had left behind various maps--tourist maps and bus maps and city maps. I studied these for a while trying to make a plan about where to go. But in the end I decided just to get on the bus to the city center and walk around to get a feel for the place. The most immediate feel I got was cold, and wet. On the main shopping street I sought out a cafe I could sit inside for a coffee. On a corner was a little building set apart from the others by the slightly exaggerated peaks of its gables, with steaming cups of coffee etched on the windows. Perfect.
The place, Privid, claims on its menus to be the oldest cafe in Iceland, established in 1951. (Until fairly recently, Iceland was populated exclusively by elves who lived in mushrooms, ate only dandelions, and ran around naked accidentally impregnating each other.) I took a table upstairs overlooking the street. The place did't serve anything at all Icelandic. Instead they had the full gamut of American junk food, including several kinds of nachos (later to be described to me as "hangover food"). I got my coffee and watched the people on the street below grimacing against the blowing of the cold rain.
The spot would have been ideal had it not been for the two British fellows having an absurdly tedious and unrepentantly pretentious conversation at the next table. They weren't exactly shouting, but they were talking in a manner that made clear they wanted anyone else around them to hear them and think they were smart and interesting. The conversation had something to do with love, semantics, and the politics of immigration, subjects which both of them were severely unprepared to discuss. It seemed they were planning to write some kind of really clever and socially relevant play. I wanted to jump up and shout "For fuck's sake if you want to write a play about people from different countries who fall in love and have to negotiate issues of citizenship, just fucking write it and stop deconstructing the fuck out of everything!" I came to the conclusion that this play will never get written.
From my perch I'd been staring down at a tourist schwag shop called The Viking, One of the first things I do when I travel to a new place is go check out these sorts of shops. Although I'm a compulsive object collector, it's not shopping for souvenirs that draws me into souvenir shops, but the immediate information they provide. In a gift shop you can find out quickly what a place is famous for, what parts of the culture are dangled out to the rest of the world to reel in the tourist money. That saves a lot of time, allowing one to quickly get down the the business of analyzing the interesting things, such as major shared personality flaws, political scandals, common complaints, absurd beliefs, and which aspects of American culture they are obsessed with.
Seeking to escape the increasingly pointless conversation of those two nit-wits, I exited the American junk food cafe and and went into The Viking. The things they sell in the tourist schwag shops in Iceland include plastic viking horns, hats, and swords, items such as ashtrays and candle holders made of volcanic rock, plush puffins, little statues of elves and trolls, and socks, hats, mittens, and sweaters made from wool, rabbit fur, and deerskin. These last items, although clearly mass "hand" produced and identical from shop to shop, appear well made and are probably a good bet for anyone in the market for expensive winter wear. I do pity the child, though, who comes home from school having lost is fifty-dollar pair of rabitt-fur-lined deerskin mittens. I dove into one of these shops at the rate of about two per block over the next hour and a half just to get out of the cold and rain. Eventually I bowed to the pressure to buy a wool hat, a decision I did not regret at all for the next three days.
The only thing I did on that first morning aside from surveying the gift shops was visit the big church whose tower is the major landmark of the city center. This I did, again, mainly as a way of escaping the weather.
The church is not particularly old. Buildings themselves seem to be a relatively new invention in Iceland. The structure was built in the 1920s. Its architecture is one of very simplistic gothic style. The whole building is the color of pale clay, dominated by a soaring bell-tower that which dwarfs the rest of the structure. The tower is saved from phallic symbolism by a pair of wings, or perhaps pleated curtains, which flank either side of the bell tower and descend to the ground. Inside, the insistence on monotone and clean gothic lines continues. Two rows of columns march down each side of the sanctuary, supporting the closely-spaced arches of the severely-vaulted ceiling. The visual effect is mesmerizing in a geomoetrical kind of way but did not, as the Catholic cathedrals of Europe, carry any religiously sedutcive power. However. The near-entirety of the front arch, the one beneath the belltower, is devoted to a gigantic pipe organ, and a guy was playing it, turning the whole building into an instrument that you sit inside of.
This organ player would play a bit of something, then stop, flip through his scores while twitching his cheek in indecision, and then finally play a bit of something else. I thought this a terribly irrational way of putting on an organ concert. I realized later that the organ concert was later, and he was just practicing. The only place to practice playing an instrument that is actually a building, or vice versa, is inside that building, I guess.
Before leaving I paid three hundred kroners, about three dollars, to take the elevator to the top of the bell tower. The cold rain blew in through the lookout openings as I snapped photos of the city. I always feel weird taking pictures like that, with the full knowledge that plenty of other people have taken other photos, much, much better photos, than the ones I am taking from that spot, and that it is in no way necessary for me to document the view of Rekjavik from that bellower. Especially considering that this is the Internet age, and any of my friends who wish to see an aerial view of Reykjavik can find much better photos in the Internet in about .5 seconds. But it seemed the appropriate thing to do.I guess one day I will look back at those photos and remember that moment. "Oh yeah," I'll say, "the bellower in Reykjavik. It was cold."
It was after that, actually, that I bought the wool hat, for fifteen dollars. Now I have a souvenir. One
day I will find this wool hat in a box and remember that I went to Reykjavik, and that I took pictures from the bellower, where I wiped drops of cold rain from the lens, and two British guys in a cafe were having a really pointless conversation, andI will wonder if they ever wrote that awful play.